Orienting Masculinity, Orienting Nation: W. Somerset Maugham's Exotic FictionAlthough their settings span a wide geographical area, from the South Pacific to India, Maugham's exotic short stories, novels, and travelogues all, ultimately, focus on the creation of a masculine British identity. In this first book to address Maugham's fiction in light of recent developments in postcolonial, gender, and cultural theory, Holden argues that Maugham's work can be understood as an attempt to negotiate between two alternative masculine identities: those of private homosexual and public writer. Holden identifies Maugham's attempts to cultivate a public persona as a writer whose heterosexuality is confirmed through a process of control of language. Furthermore, Holden illuminates the fluidity of language that Maugham, in contrast to his public persona, associated with homosexuality. The basis of this study is the provocative notion that Maugham's texts, despite their exotic locations, ultimately dramatize a struggle over masculine British identity. |
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... Hong Kong Centre for Asian Studies , assisted by the Hong Kong - Canada Business Association Fellowship at the University of British Columbia . Earlier versions of various parts of this book appeared in Studies in Short Fiction 29 ...
... Hong Kong Centre for Asian Studies , assisted by the Hong Kong - Canada Business Association Fellowship at the University of British Columbia . Earlier versions of various parts of this book appeared in Studies in Short Fiction 29 ...
Page 67
... Hong Kong by way of Bangkok and Hanoi , urban oases interspersed with much toiling away in the jungles of the Shan States . The Gentleman in the Parlour is , in fact , a testimony to the power of travel as narrative ; it is a literary ...
... Hong Kong by way of Bangkok and Hanoi , urban oases interspersed with much toiling away in the jungles of the Shan States . The Gentleman in the Parlour is , in fact , a testimony to the power of travel as narrative ; it is a literary ...
Page 84
... Hong Kong to a town in China , and through several diegetic levels ; yet it is centered upon Hong Kong . Hong Kong in The Painted Veil is a liminal space between Britain and China , a " third " space , rather like the intersection of ...
... Hong Kong to a town in China , and through several diegetic levels ; yet it is centered upon Hong Kong . Hong Kong in The Painted Veil is a liminal space between Britain and China , a " third " space , rather like the intersection of ...
Contents
The Moon and Sixpence 22 | 27 |
The Trembling of a Leaf | 47 |
On a Chinese Screen | 63 |
Copyright | |
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Orienting Masculinity, Orienting Nation: W. Somerset Maugham's Exotic Fiction Philip Holden No preview available - 1996 |
Common terms and phrases
addiction allochrony analysis Asia Barthes Barthes's binarism British British Malaya characters China Chinese Screen closet colonial discourse confession constructions of masculinity contrast critical culture desire East embedded narrative Empire of Signs Erik femininity feminized flâneur focaliser Foucault frame narrative Fred gaze gender Gerald Haxton Girardian triangle heterosexual homoerotic homoeroticism homosocial India Isabel island Izzart Kitty landscape Larry Larry's literary London Louise Malay Malaya Malayan stories manliness Maugham's fiction Maugham's Malayan Maugham's narrator Maugham's novel Maugham's oriental fiction Maugham's short story Maugham's texts Maugham's writings mediation metaphor modern Moon and Sixpence narrator's Narrow Corner native nature Neilson's nineteenth century opium Painted Veil premodern present protagonist race racial alterity Razor's Edge reader remarks representation represented rhetoric Saunders Saunders's Sedgwick seems semiotic sexuality signifying society Somerset Maugham South Pacific space Strickland Tahiti textual tropes twentieth century West Western woman women Writer's Notebook Yellow Streak