S/HE"In these lyrical vignettes, Pratt expands the boundaries of gender and its theory. She explores the inconsistencies, the infinities, the fluidity of sex and gender, and asks intriguing questions: How many ways are there to be girl, boy, man, woman? Is there a connection between feminine, masculine, lesbian, heterosexual, between desire and liberation? How many ways can the body's sex vary---by chromosomes, hormones, genitals? How many ways can our gender expressions multiply---between home and work, at the computer and when we kiss someone, in our dreams and when we walk down the street? What is our dream of who we want to be? Pratt's stories are part of new theory appearing at the intersections---of the feminism of U.S. women's liberation, the writings of women of color in the U.S. and internationally, the queer ideas of lesbian and gay liberation, and the emerging thought of transgender liberation. S/HE helps move these ideas into action by giving us theory that has flesh and breath, that exists in all of our eccentric, complicated, daily lives."--BOOK JACKET. |
From inside the book
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Page 93
... hold me every morning and every night in our home . We pant up the stairs , hauling the paint cans hand over hand , into the bedroom wide with sunlight , with windows full of the opu- lent city and the toiling river . You say that every ...
... hold me every morning and every night in our home . We pant up the stairs , hauling the paint cans hand over hand , into the bedroom wide with sunlight , with windows full of the opu- lent city and the toiling river . You say that every ...
Page 94
... hold of the pot and spoke the incantation she'd heard the old woman give . Por- ridge began to bubble and ooze through the village . But the girl didn't have the word for stop . The pictures in my book showed the tiny village engulfed ...
... hold of the pot and spoke the incantation she'd heard the old woman give . Por- ridge began to bubble and ooze through the village . But the girl didn't have the word for stop . The pictures in my book showed the tiny village engulfed ...
Page 130
... hold me in your arms , and I weep for the girl who was so ashamed of yielding , if only for a few minutes , to another's hand . You hold me and say , " Bring me your tears . " FROSTBITE O ut the window I see snow falling slowly 130 ...
... hold me in your arms , and I weep for the girl who was so ashamed of yielding , if only for a few minutes , to another's hand . You hold me and say , " Bring me your tears . " FROSTBITE O ut the window I see snow falling slowly 130 ...
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African-American arms begin Beth Brant body breasts butch and femme butch lesbian Camp Trans clit clothes cock cunt dance dark desire dildo door Doris Day drag queen dream dress dyke Dykes To Watch edge eyes face father fear feel feet female feminine feminist femme fingers fucking gender expression girl girlfriend hair hands head heat heterosexual hips hold honey husband inside jeans joke kiss kitchen Later laugh lean legs lives look lover male married masculine MINNIE BRUCE PRATT mouth movie naked never night Novel oxford shirt palace of truth penis pink Poetry pull queer rape rock S/HE sex and gender sexual shirt skin skirt slide smiling someone stared story street summer talk tell thighs touch town transgendered transsexual turn waiting walk watch wear white woman womanhood women word