S/HE"In these lyrical vignettes, Pratt expands the boundaries of gender and its theory. She explores the inconsistencies, the infinities, the fluidity of sex and gender, and asks intriguing questions: How many ways are there to be girl, boy, man, woman? Is there a connection between feminine, masculine, lesbian, heterosexual, between desire and liberation? How many ways can the body's sex vary---by chromosomes, hormones, genitals? How many ways can our gender expressions multiply---between home and work, at the computer and when we kiss someone, in our dreams and when we walk down the street? What is our dream of who we want to be? Pratt's stories are part of new theory appearing at the intersections---of the feminism of U.S. women's liberation, the writings of women of color in the U.S. and internationally, the queer ideas of lesbian and gay liberation, and the emerging thought of transgender liberation. S/HE helps move these ideas into action by giving us theory that has flesh and breath, that exists in all of our eccentric, complicated, daily lives."--BOOK JACKET. |
From inside the book
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Page 27
... sometimes held my hand in the dark , who once or twice whirled me around our music practice room . At the senior prom , when the girls outnumbered the boys and I went with my best friend , she and I didn't dance . But this lanky ...
... sometimes held my hand in the dark , who once or twice whirled me around our music practice room . At the senior prom , when the girls outnumbered the boys and I went with my best friend , she and I didn't dance . But this lanky ...
Page 59
... Sometimes we talk about how much has changed in our lives since we met , what we've learned together about our families and whiskey and pain . We've learned to get through the pain of the day , hers and mine , a minute at a time . Sometimes ...
... Sometimes we talk about how much has changed in our lives since we met , what we've learned together about our families and whiskey and pain . We've learned to get through the pain of the day , hers and mine , a minute at a time . Sometimes ...
Page 66
... sometimes I signed in as Susan B. Anthony . Everyone always turned around to see who was coming in when the door opened . Everyone knew about the sec- ond exit in the dance room , double doors onto the street just in case of a raid ...
... sometimes I signed in as Susan B. Anthony . Everyone always turned around to see who was coming in when the door opened . Everyone knew about the sec- ond exit in the dance room , double doors onto the street just in case of a raid ...
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African-American arms begin Beth Brant body breasts butch and femme butch lesbian Camp Trans clit clothes cock cunt dance dark desire dildo door Doris Day drag queen dream dress dyke Dykes To Watch edge eyes face father fear feel feet female feminine feminist femme fingers fucking gender expression girl girlfriend hair hands head heat heterosexual hips hold honey husband inside jeans joke kiss kitchen Later laugh lean legs lives look lover male married masculine MINNIE BRUCE PRATT mouth movie naked never night Novel oxford shirt palace of truth penis pink Poetry pull queer rape rock S/HE sex and gender sexual shirt skin skirt slide smiling someone stared story street summer talk tell thighs touch town transgendered transsexual turn waiting walk watch wear white woman womanhood women word