S/HE"In these lyrical vignettes, Pratt expands the boundaries of gender and its theory. She explores the inconsistencies, the infinities, the fluidity of sex and gender, and asks intriguing questions: How many ways are there to be girl, boy, man, woman? Is there a connection between feminine, masculine, lesbian, heterosexual, between desire and liberation? How many ways can the body's sex vary---by chromosomes, hormones, genitals? How many ways can our gender expressions multiply---between home and work, at the computer and when we kiss someone, in our dreams and when we walk down the street? What is our dream of who we want to be? Pratt's stories are part of new theory appearing at the intersections---of the feminism of U.S. women's liberation, the writings of women of color in the U.S. and internationally, the queer ideas of lesbian and gay liberation, and the emerging thought of transgender liberation. S/HE helps move these ideas into action by giving us theory that has flesh and breath, that exists in all of our eccentric, complicated, daily lives."--BOOK JACKET. |
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Page 55
... standing beside my father . She says of herself as a bride : " I was so little then , he could put his hands around ... stand near each other . In the souvenir photo of Mama and me on a New Orleans riverboat for her eightieth - birthday ...
... standing beside my father . She says of herself as a bride : " I was so little then , he could put his hands around ... stand near each other . In the souvenir photo of Mama and me on a New Orleans riverboat for her eightieth - birthday ...
Page 79
... stand in the dappled sunshine and the weeds with your jacket slung over your shoulder like a film noir movie star ... stands like a schoolgirl , feet primly together , hands behind her back , but this time the one I see is my father ...
... stand in the dappled sunshine and the weeds with your jacket slung over your shoulder like a film noir movie star ... stands like a schoolgirl , feet primly together , hands behind her back , but this time the one I see is my father ...
Page 133
... stand against the wall like Exhibit A. I wonder what judgments are being made of me , as lesbian , as femme , leaning at the edge of the room , at the edge of almost everybody's limits , the ones who think I need a real woman , and the ...
... stand against the wall like Exhibit A. I wonder what judgments are being made of me , as lesbian , as femme , leaning at the edge of the room , at the edge of almost everybody's limits , the ones who think I need a real woman , and the ...
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African-American arms begin Beth Brant body breasts butch and femme butch lesbian Camp Trans clit clothes cock cunt dance dark desire dildo door Doris Day drag queen dream dress dyke Dykes To Watch edge eyes face father fear feel feet female feminine feminist femme fingers fucking gender expression girl girlfriend hair hands head heat heterosexual hips hold honey husband inside jeans joke kiss kitchen Later laugh lean legs lives look lover male married masculine MINNIE BRUCE PRATT mouth movie naked never night Novel oxford shirt palace of truth penis pink Poetry pull queer rape rock S/HE sex and gender sexual shirt skin skirt slide smiling someone stared story street summer talk tell thighs touch town transgendered transsexual turn waiting walk watch wear white woman womanhood women word