Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 62Gale Research Company, 1984 |
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Page 58
... rhetorical tour de force without noting the individuation of the roles within the rhetoric . See Hammond 114 : “ Ri- chard III has long been recognized as the play of Shakespeare's which most depends upon the deploy- ment of formal rhetoric ...
... rhetorical tour de force without noting the individuation of the roles within the rhetoric . See Hammond 114 : “ Ri- chard III has long been recognized as the play of Shakespeare's which most depends upon the deploy- ment of formal rhetoric ...
Page 92
... rhetorical style help to emphasize the power he has over people and events . ] For sustained invention the first act of ... rhetoric - deliberative , forensic , and epideictic . Thus the opening monologue shows the master of policy ...
... rhetorical style help to emphasize the power he has over people and events . ] For sustained invention the first act of ... rhetoric - deliberative , forensic , and epideictic . Thus the opening monologue shows the master of policy ...
Page 162
... rhetorical , notoriously unpredictable force . The appeal " O let me true in love but truly write " is less a ... rhetoric ) by the saying of it . This use of quasi - performatives may account for the sonnets that have often been ...
... rhetorical , notoriously unpredictable force . The appeal " O let me true in love but truly write " is less a ... rhetoric ) by the saying of it . This use of quasi - performatives may account for the sonnets that have often been ...
Contents
Dreams Prophesies and Curses | 14 |
Female Characters | 31 |
Religious Elements | 60 |
Copyright | |
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Aaron actor Anne argues argument audience Bassianus beauty brother Cesario characters chard Clarence Clarence's comedy critics curses death disguise dramatic dream E. K. Chambers edition Edward Elizabeth Elizabethan English essay female Feste gender Gentlemen of Verona Gloucester Goths hath Henry Henry VI identity imagery King King Lear Lady language Lavinia lines literary London male Malvolio Marcus Margaret means metaphor mirror murder Olivia Orsino performance play play's plot poems poet poet's poetry political praise procreation sonnets Queen rape relationship Renaissance revenge rhetoric Richard Richard III Richmond role Roman Rome Saturninus scene Sebastian seems Senecan sequence sexual Shake Shakespeare Shakespeare's Sonnets Sir Toby social soliloquy sonnet 33 speak speare speare's speech stage story suggests Tamora theatrical thee thou tion Titus Andronicus Titus's tragedy Twelfth Night verse villain Viola violence William Shakespeare woman women words writing York young