The Revenge of Thomas EakinsThomas Eakins was misunderstood in life, his brilliant work earned little acclaim, and hidden demons tortured and drove him. Yet the portraits he painted more than a century ago captivate us today, and he is now widely acclaimed as the finest portrait painter our nation has ever produced. This book recounts the artist’s life in fascinating detail, drawing on a treasure trove of Eakins family correspondence and papers that have only recently been discovered. Never before has Thomas Eakins’s story been told with such drama, clarity, and accuracy. Sidney Kirkpatrick sets the painter’s life and art in the wider context of the changing world he devoted himself to portraying, and he also addresses the artist’s private life—the contradictory impulses, obsessions, and possible psychological illness that fired his work. Kirkpatrick underscores Eakins’s unflinching integrity as an artist and discloses how his profound appreciation of the beauty of the human form was both the source of his greatness and ultimately of his undoing. Nevertheless, the author observes, Eakins has had his “revenge,” inspiring a new generation of realist painters and gaining the recognition that eluded him in life. |
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Page 7
... Goodrich, which was published in 1933. Though devoted to her husband's memory, Macdowell was initially skeptical ... Goodrich's acclaimed biography became the definitive statement on Eakins and an atonement , however In Light and Shadow 7.
... Goodrich, which was published in 1933. Though devoted to her husband's memory, Macdowell was initially skeptical ... Goodrich's acclaimed biography became the definitive statement on Eakins and an atonement , however In Light and Shadow 7.
Page 8
... Goodrich , bi- ographers had nothing but Eakins ' drawings and paintings — however rich a visual guide — to illuminate their probing of the contradictory impulses ap- pearing to motivate his art . No one could say for certain how Eakins ...
... Goodrich , bi- ographers had nothing but Eakins ' drawings and paintings — however rich a visual guide — to illuminate their probing of the contradictory impulses ap- pearing to motivate his art . No one could say for certain how Eakins ...
Page 55
... Goodrich that he “ likely contemplated both professions . ” Eakins evidently came to his decision gradually , over a period of two years . His surviving cards of admission to Jefferson attest only to his having studied anatomy under ...
... Goodrich that he “ likely contemplated both professions . ” Eakins evidently came to his decision gradually , over a period of two years . His surviving cards of admission to Jefferson attest only to his having studied anatomy under ...
Page 133
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Contents
17 | |
Artist and Educator | 127 |
Exposed and Expelled | 295 |
Forgiven and Forgotten | 425 |
Notes | 497 |
Bibliography | 531 |
Acknowledgments | 539 |
Index | 543 |
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academy students academy's American Art anatomy appear Art Students artist Benjamin Eakins boat captured Caroline CBC at PAFA classes collection color Courtesy critic Crowell depicted Dove Lake drawing dress Eakins family Eakins painted Eakins wrote Earl Shinn école Edward Coates Elizabeth Emily Sartain exhibition Fairman Rogers Fairmount Park father female figure Files at PMA Foster and Leibold Frances Gallery Gérôme Goodrich Gross Clinic Hammitt horses ibid Jean-Léon Gérôme Jefferson Medical College John Sartain later league letter LG Research Files look Margaret Max Schmitt McHenry Mount Vernon Street Murray Museum of Art Muybridge nude modeling Oil on canvas painter Paris Pennsylvania Academy Philadelphia Museum Philadelphia Press Philadelphia Sketch Club photographs picture portrait pose River rowing Rowland scene Schussele Schuylkill Schuylkill River sculpture sister Stephens Susan Macdowell TE's Thomas Eakins trip University of Pennsylvania viewer Whitman William women York young