Culture and Society, 1780-1950 |
Contents
THE ROMANTIC ARTIST | 33 |
MILL ON BENTHAM AND COLERIDGE | 53 |
THOMAS CARLYLE | 77 |
Copyright | |
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Common terms and phrases
abstraction active actual argues argument Arnold artist attitude become Bentham bourgeois Burke Carlyle century Chartism civilization Cobbett Coleridge common consciousness contrast course criticism D. H. Lawrence democracy difficult economic element Eliot emphasis England English equality Essays essential evident existing experience F. R. Leavis fact feeling Felix Holt function George Eliot Gissing human I. A. Richards Ibid idea of culture ideal important individual industrial Industrial Revolution intellectual interest judgement kind labour Lawrence Leavis literary literature living major Marx Marxist Mary Barton masses matter means ment merely Mill mind modern Morris nature novel observation organization Orwell particular perfection poetry political position practice principle production question R. H. Tawney reality reform relations repr Romantic Romanticism Ruskin sense social socialist society Southey T. E. Hulme T. S. Eliot Tawney theory things thinking tion tradition whole word working-class writing