Let's See: Writings on Art from the New YorkerDistinguished critic at The New Yorker since 1998, Peter Schjeldahl has been described as America's most influential writer on art. Blessed with an unerring eye, he tackles a myriad of subjects with wit, poetry, and perspicacity, examining and questioning the art before him while reveling in the power and beauty of language. His writing springs from a desire to be understood by all readers, and a determination to help them engage with art of every kind. Covering subjects drawn from a broad canvas of the history of art--from ancient Greece, Mexico, and Byzantium, through Raphael, Rubens, and Rembrandt, to Bruce Nauman, Jean-Michel Basquiat, and John Currin--the writings collected here seek out with precision and economy the essence of the individual artist or work under discussion, but they never lose sight of the bigger picture: What is beauty? What does it mean to be an American artist? What can the art we produce and admire tell us about ourselves? With an imaginative introduction--twenty questions, each one posed to Schjeldahl by a different artist or writer--this collection will appeal to anyone who considers the experience of art, and of writing on art, an invitation to a voyage. Coverage includes: - large-scale exhibitions at leading institutions around the world - shows at private galleries - profiles of prominent members of the art world - personal accounts of time spent with artists - the influences of museum spaces on our experience of art |
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Page 70
Writings on Art from the New Yorker Peter Schjeldahl. LATE , LATE DE KOONING The he last paintings of Willem de Kooning are spectral orphans of the twenti- eth century , left on the doorstep of the twenty - first ... Late, Late de Kooning |
Writings on Art from the New Yorker Peter Schjeldahl. LATE , LATE DE KOONING The he last paintings of Willem de Kooning are spectral orphans of the twenti- eth century , left on the doorstep of the twenty - first ... Late, Late de Kooning |
Page 71
... late work . A present historical shift explains the work's sudden authority . All the cocksure movements of the last century have collapsed into a bewildering , trackless here and now . This condition turns out to be de Kooning's ...
... late work . A present historical shift explains the work's sudden authority . All the cocksure movements of the last century have collapsed into a bewildering , trackless here and now . This condition turns out to be de Kooning's ...
Page 86
... late Guston and why I now regard that work as the most important American painting of its time . The reason in each case is a traumatic upheaval of the 1960s . Late Guston belongs among other explosive , harshly significant cultural ...
... late Guston and why I now regard that work as the most important American painting of its time . The reason in each case is a traumatic upheaval of the 1960s . Late Guston belongs among other explosive , harshly significant cultural ...
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