Sociological Poetics and Aesthetic Theory |
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Page 41
... Engels . Engels's contribution to Marxism was largely as a populariser and systematiser of Marx's thought . For Engels , Marxism was a scientific world view , unified and coherent , based on the objective laws of nature and a ...
... Engels . Engels's contribution to Marxism was largely as a populariser and systematiser of Marx's thought . For Engels , Marxism was a scientific world view , unified and coherent , based on the objective laws of nature and a ...
Page 42
... Engels , 1976 , p.190 ) . In other writings Engels attempted to develop a Marxist aesthetic based on a theory of literary realism derived largely from the nineteenth - century bourgeois novel and drama . Here again , how- ever , a ...
... Engels , 1976 , p.190 ) . In other writings Engels attempted to develop a Marxist aesthetic based on a theory of literary realism derived largely from the nineteenth - century bourgeois novel and drama . Here again , how- ever , a ...
Page 43
... Engels , then , realism embodies ' truth of detail ' , the creation of ' representative figures ' , ' typical characters under typical circum- stances ' combined with a grasp , implied rather than stated , of historical necessity . The ...
... Engels , then , realism embodies ' truth of detail ' , the creation of ' representative figures ' , ' typical characters under typical circum- stances ' combined with a grasp , implied rather than stated , of historical necessity . The ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |