Sociological Poetics and Aesthetic Theory |
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Page 127
... Kafka is structured in plural not finalising discourse . In effect , Lukács's theory of realism cannot accom- modate the complexity of modernism with its overtly de - centred structures . Nor does it account adequately for the rich ...
... Kafka is structured in plural not finalising discourse . In effect , Lukács's theory of realism cannot accom- modate the complexity of modernism with its overtly de - centred structures . Nor does it account adequately for the rich ...
Page 128
... Kafka represents a partial exception to his general condemnation of the avant - garde . Lukács sees Kafka as a transitional figure , a writer on the threshold of the modernist movement for whom artistic form remained , as with the ...
... Kafka represents a partial exception to his general condemnation of the avant - garde . Lukács sees Kafka as a transitional figure , a writer on the threshold of the modernist movement for whom artistic form remained , as with the ...
Page 129
... Kafka's fiction is inspired by an alienated and fragmented concept of man , the anti- thesis of the realist ideal of the whole individual . And although there is social criticism in Kafka it is dominated by a profound , pessimistic ...
... Kafka's fiction is inspired by an alienated and fragmented concept of man , the anti- thesis of the realist ideal of the whole individual . And although there is social criticism in Kafka it is dominated by a profound , pessimistic ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |