Sociological Poetics and Aesthetic Theory |
From inside the book
Results 1-3 of 12
Page 111
... Leavis's major contribution to a theory of tradition is the study of ' the great tradition ' of the English novel from Jane Austen to D. H. Lawrence . This tradition forms an organic continuity giving ' mean- ing to the past ' and ...
... Leavis's major contribution to a theory of tradition is the study of ' the great tradition ' of the English novel from Jane Austen to D. H. Lawrence . This tradition forms an organic continuity giving ' mean- ing to the past ' and ...
Page 112
... Leavis's formalist concept of a text structured around pre - industrial morality . True , both Bakhtin and Leavis identify the basis of literary forms in popular culture . But in assimilating the complex open - ended nature of this ...
... Leavis's formalist concept of a text structured around pre - industrial morality . True , both Bakhtin and Leavis identify the basis of literary forms in popular culture . But in assimilating the complex open - ended nature of this ...
Page 117
... ( Leavis , 1962b , p.185 ) . Leavis's notion of the social defines the individual as an active subject whose indivi- duality is made possible through the collective , collaborative forces of culture , tradition and community which enable ...
... ( Leavis , 1962b , p.185 ) . Leavis's notion of the social defines the individual as an active subject whose indivi- duality is made possible through the collective , collaborative forces of culture , tradition and community which enable ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |