Sociological Poetics and Aesthetic Theory |
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Page 9
... Plekhanov , Labriola and Lunacharsky all of whom wrote extensively on art and literature . Plekhanov's work is especially illuminating for its rigid correlation of social class with aesthetic form . As the leading Marxist cultural ...
... Plekhanov , Labriola and Lunacharsky all of whom wrote extensively on art and literature . Plekhanov's work is especially illuminating for its rigid correlation of social class with aesthetic form . As the leading Marxist cultural ...
Page 44
... Plekhanov and Mehring attempted to construct a Marxist aesthetic although in doing so they abandoned many of Marx's materialist assumptions . It was Kant's aesthetic theory which informed Mehring's and Plekhanov's work on beauty : the ...
... Plekhanov and Mehring attempted to construct a Marxist aesthetic although in doing so they abandoned many of Marx's materialist assumptions . It was Kant's aesthetic theory which informed Mehring's and Plekhanov's work on beauty : the ...
Page 45
... ( Plekhanov , 1953 , p.39 ) Similarly , the custom of tattooing , widely practiced in primitive societies , was ... Plekhanov's general theory that in the genesis of art utilitarian considerations precede the development of the aesthetic ...
... ( Plekhanov , 1953 , p.39 ) Similarly , the custom of tattooing , widely practiced in primitive societies , was ... Plekhanov's general theory that in the genesis of art utilitarian considerations precede the development of the aesthetic ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |