Sociological Poetics and Aesthetic Theory |
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Page 11
... Russian Formalists who sought to revive poetics and establish a theory of literature through the methods of ' positive science ' . RUSSIAN FORMALISM : MAIN CHARACTERISTICS Russian Formalism ( Opajaz ) , founded between 1914 and 1916 by ...
... Russian Formalists who sought to revive poetics and establish a theory of literature through the methods of ' positive science ' . RUSSIAN FORMALISM : MAIN CHARACTERISTICS Russian Formalism ( Opajaz ) , founded between 1914 and 1916 by ...
Page 68
... Russian Formalists rejected genetic , diachronic modes of explanation focusing on the ahistorical , synchronic ... Russian Formalism . The first followed Saussure's separation of synchronic from diachronic analysis , while the other ...
... Russian Formalists rejected genetic , diachronic modes of explanation focusing on the ahistorical , synchronic ... Russian Formalism . The first followed Saussure's separation of synchronic from diachronic analysis , while the other ...
Page 99
... Russian Formalists and later in the various writings of the Prague Linguistic Circle , American New Criticism and ... Russian Formalism and contemporary linguistic theory , which pro- posed the abolition of the dualism , art and society ...
... Russian Formalists and later in the various writings of the Prague Linguistic Circle , American New Criticism and ... Russian Formalism and contemporary linguistic theory , which pro- posed the abolition of the dualism , art and society ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |