Sociological Poetics and Aesthetic Theory |
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Page 38
... able to live and write , but he must by no means live and write to earn . ' The writer should regard his work as an end in itself and those for whom the press is simply a means to an end ' deserve as punishment for this internal ...
... able to live and write , but he must by no means live and write to earn . ' The writer should regard his work as an end in itself and those for whom the press is simply a means to an end ' deserve as punishment for this internal ...
Page 47
... able to rebuild itself . This task is essentially revolutionary in character . For these reasons the function of art in our time is determined by its relation to the revolution . ( Trotsky , 1970 , p.106 ) Trotsky's standpoint ...
... able to rebuild itself . This task is essentially revolutionary in character . For these reasons the function of art in our time is determined by its relation to the revolution . ( Trotsky , 1970 , p.106 ) Trotsky's standpoint ...
Page 131
... able social world . Dostoevsky echoed the sentiments of many writers who felt restricted by the commonly received narrow con- cept of realism when he described himself as a realist in ' the higher sense of the word ' . Later stylistic ...
... able social world . Dostoevsky echoed the sentiments of many writers who felt restricted by the commonly received narrow con- cept of realism when he described himself as a realist in ' the higher sense of the word ' . Later stylistic ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |