Sociological Poetics and Aesthetic Theory |
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Page 10
... active , not epiphenomenal element in the process of social change : without the motivation of individuals no change was possible and thus social development must be analysed both in terms of consciousness and material conditions ...
... active , not epiphenomenal element in the process of social change : without the motivation of individuals no change was possible and thus social development must be analysed both in terms of consciousness and material conditions ...
Page 72
... active subject and function , no awareness of structures as functionally related to an active and rational subject . Structures are made not given . As Marxism was one of the first forms of struc- turalism , so dialectical thought is ...
... active subject and function , no awareness of structures as functionally related to an active and rational subject . Structures are made not given . As Marxism was one of the first forms of struc- turalism , so dialectical thought is ...
Page 150
... active subject : and yet also for the constituting role of the human community , collective forms of culture and modes of communi- cation . The basis of art lies within living culture , within active traditions , values and dialogic ...
... active subject : and yet also for the constituting role of the human community , collective forms of culture and modes of communi- cation . The basis of art lies within living culture , within active traditions , values and dialogic ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |