Sociological Poetics and Aesthetic Theory |
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Page 58
... already accepted as an accomplished fact that all human values were included in the commodity structure of capitalism . In Balzac we see the tumul- tuous tragedy of birth ; his successors give us the lifeless fact of consummation and ...
... already accepted as an accomplished fact that all human values were included in the commodity structure of capitalism . In Balzac we see the tumul- tuous tragedy of birth ; his successors give us the lifeless fact of consummation and ...
Page 79
... already existing and static public , but elements in a process of cultural production which both succeed in creating a public for the object and an aesthetic appre- ciation of it : ' Production thus not only creates an object for a ...
... already existing and static public , but elements in a process of cultural production which both succeed in creating a public for the object and an aesthetic appre- ciation of it : ' Production thus not only creates an object for a ...
Page 105
Alan Swingewood. By assuming that genres evolve from other genres , from already prepared materials , the Formalists failed to understand the social realisation of generic forms , their striving to close off human ex- perience and ...
Alan Swingewood. By assuming that genres evolve from other genres , from already prepared materials , the Formalists failed to understand the social realisation of generic forms , their striving to close off human ex- perience and ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |