Sociological Poetics and Aesthetic Theory |
From inside the book
Results 1-3 of 57
Page 15
... argued that in social novels such as Little Dorrit and Our Mutual Friend parallel elements of plot become incorporated from the genre of the mystery novel . And in his analysis of the short stories of O'Henry , Eichenbaum argued for the ...
... argued that in social novels such as Little Dorrit and Our Mutual Friend parallel elements of plot become incorporated from the genre of the mystery novel . And in his analysis of the short stories of O'Henry , Eichenbaum argued for the ...
Page 17
Alan Swingewood. not a question of two different methods , Eichenbaum argued , and therefore of two quite distinct ... arguments characterising the movement as a ' cultural survival ' from pre - revolutionary Russia , an ' escapist ...
Alan Swingewood. not a question of two different methods , Eichenbaum argued , and therefore of two quite distinct ... arguments characterising the movement as a ' cultural survival ' from pre - revolutionary Russia , an ' escapist ...
Page 51
... argued that content can exist meaningfully only through the immanent organising cate- gories associated with forms . There are no objective laws , no totality , no hypostatised concept of society ( as in Comte and Spencer ) but a ...
... argued that content can exist meaningfully only through the immanent organising cate- gories associated with forms . There are no objective laws , no totality , no hypostatised concept of society ( as in Comte and Spencer ) but a ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |