Sociological Poetics and Aesthetic Theory |
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Page 24
... author himself and his characters ; the characters ' discourse is never entirely subsumed and remains free and open ... author's omniscient presence and all - embracing ' field of vision ' preventing the development of genuine dialogic ...
... author himself and his characters ; the characters ' discourse is never entirely subsumed and remains free and open ... author's omniscient presence and all - embracing ' field of vision ' preventing the development of genuine dialogic ...
Page 115
... Author ignores the collec- tive character of artistic production , the important role exercised by social groups , institutions and practices . He thus celebrates the ' death of the author ' , the rejection of the romantic , ' religious ...
... Author ignores the collec- tive character of artistic production , the important role exercised by social groups , institutions and practices . He thus celebrates the ' death of the author ' , the rejection of the romantic , ' religious ...
Page 116
... author / subject there is no art , no production , no autonomy . To resurrect the author is not to resurrect a God - like creative subject , but rather to situate individuality ( and thus volun- tarism , choice , action ) in its ...
... author / subject there is no art , no production , no autonomy . To resurrect the author is not to resurrect a God - like creative subject , but rather to situate individuality ( and thus volun- tarism , choice , action ) in its ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |