Sociological Poetics and Aesthetic Theory |
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Page 87
... beliefs and forcing them to ' see ' anew the reality of middle - class domestic life . Many years before Brecht formulated the principles of epic theatre Ibsen wrote that his plays • make people uncomfortable because when they see them ...
... beliefs and forcing them to ' see ' anew the reality of middle - class domestic life . Many years before Brecht formulated the principles of epic theatre Ibsen wrote that his plays • make people uncomfortable because when they see them ...
Page 119
... belief , shared by positivists and Marxists , in the anonymity of inevitable laws of social development and change . Heinrich Wolfflin's ' art history without names ' represents the other pole of nineteenth - century stylistics with its ...
... belief , shared by positivists and Marxists , in the anonymity of inevitable laws of social development and change . Heinrich Wolfflin's ' art history without names ' represents the other pole of nineteenth - century stylistics with its ...
Page 150
... belief in the unfinalised nature of art , the plurality of interpretations and a scepticism towards poetic and social closure . Modern cultural theory is resolutely anti - liberal . As Marxism has progressively lost its hold on the ...
... belief in the unfinalised nature of art , the plurality of interpretations and a scepticism towards poetic and social closure . Modern cultural theory is resolutely anti - liberal . As Marxism has progressively lost its hold on the ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |