Sociological Poetics and Aesthetic Theory |
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Page 55
... capitalism . Only realist literature reproduced the sense of the wholeness of human life - its totality - which the capitalist division of labour works to destroy through alienation , isolation and despair . Modernist art , such as ...
... capitalism . Only realist literature reproduced the sense of the wholeness of human life - its totality - which the capitalist division of labour works to destroy through alienation , isolation and despair . Modernist art , such as ...
Page 59
... capitalist and part - feudal . But because Russian capitalism adapted itself to the Tsarist auto- cracy social institutions and social life became , in Tolstoy's fiction , ' much more " finished " , lifeless , inhuman and machinelike ...
... capitalist and part - feudal . But because Russian capitalism adapted itself to the Tsarist auto- cracy social institutions and social life became , in Tolstoy's fiction , ' much more " finished " , lifeless , inhuman and machinelike ...
Page 61
... capitalism to explain the transition from the laissez - faire liberal market economy of nineteenth - century capitalism to the centralised and bureaucratic social order of modern State capi- talism . Although built on the foundations of ...
... capitalism to explain the transition from the laissez - faire liberal market economy of nineteenth - century capitalism to the centralised and bureaucratic social order of modern State capi- talism . Although built on the foundations of ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |