Sociological Poetics and Aesthetic Theory |
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Page 3
... chapter that the only viable sociology of art and literature must of necessity be a sociological poetics in which the object of study is poetic form in its totality as integral art - product and in the fullness and com- plexity of its ...
... chapter that the only viable sociology of art and literature must of necessity be a sociological poetics in which the object of study is poetic form in its totality as integral art - product and in the fullness and com- plexity of its ...
Page 7
... Chapter 2 , the sociology of art and literature has attempted to integrate hermeneutics into its analysis , especially the work of Goldmann and Jauss , with the latter consciously striving to synthesise poetics and interpretation ...
... Chapter 2 , the sociology of art and literature has attempted to integrate hermeneutics into its analysis , especially the work of Goldmann and Jauss , with the latter consciously striving to synthesise poetics and interpretation ...
Page 149
... chapters , relations between characters , dialogue , etc. ) there are no ' effects ' and ' func- tions ' . Texts exert a control over the range of reading and inter- pretation and the construction , socially and historically , of ...
... chapters , relations between characters , dialogue , etc. ) there are no ' effects ' and ' func- tions ' . Texts exert a control over the range of reading and inter- pretation and the construction , socially and historically , of ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |