Sociological Poetics and Aesthetic Theory |
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Page 67
... communication , one which transcends the real everyday communicative practice of ordinary subjects . For these Marxists , art re - enters ordinary life through a heightened self- consciousness which leads the individual to a higher ...
... communication , one which transcends the real everyday communicative practice of ordinary subjects . For these Marxists , art re - enters ordinary life through a heightened self- consciousness which leads the individual to a higher ...
Page 68
... communication ' . Rejecting Saussure's dualism - utterance ( parole ) / language ( langue ) – Bakhtin criticised orthodox linguistics for its failure to examine dialogic relations , the linguistic - and socio - historical - interaction ...
... communication ' . Rejecting Saussure's dualism - utterance ( parole ) / language ( langue ) – Bakhtin criticised orthodox linguistics for its failure to examine dialogic relations , the linguistic - and socio - historical - interaction ...
Page 74
... communication . A work of art is aesthetic through its modes of reception , through its function in the com- munity , through the activity of readers , listeners and spectators . Goldmann's sociological aesthetics effectively lacks an ...
... communication . A work of art is aesthetic through its modes of reception , through its function in the com- munity , through the activity of readers , listeners and spectators . Goldmann's sociological aesthetics effectively lacks an ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |