Sociological Poetics and Aesthetic Theory |
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Page 78
... creative centre of culture and agent of change . The relations between art and society are thus fluid : yet society as an historical category is grounded in institutions and practices which effectively cut short the dialogic movement ...
... creative centre of culture and agent of change . The relations between art and society are thus fluid : yet society as an historical category is grounded in institutions and practices which effectively cut short the dialogic movement ...
Page 106
... creative memory in the process of literary development . . . capable of guaranteeing the unity and uninterrupted ... creativity in nonofficial forms , in verbal expression or spectacle . . . ' ( Bakhtin , 1968 , p.72 ) . An organic ...
... creative memory in the process of literary development . . . capable of guaranteeing the unity and uninterrupted ... creativity in nonofficial forms , in verbal expression or spectacle . . . ' ( Bakhtin , 1968 , p.72 ) . An organic ...
Page 115
... creative , constituting role of the subject . Art is defined as the product of impersonal socioeconomic forces . For ... creativity centred in the subject , describing it as ' a charac- teristic form of bourgeois thought ' ( Barthes ...
... creative , constituting role of the subject . Art is defined as the product of impersonal socioeconomic forces . For ... creativity centred in the subject , describing it as ' a charac- teristic form of bourgeois thought ' ( Barthes ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |