Sociological Poetics and Aesthetic Theory |
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Page 53
... cultural objects , created by human subjects for human subjects , into autonomous things . The tragedy of culture lies in this tendency to turn the creative , active subject into an object , to reify the products of human culture and ...
... cultural objects , created by human subjects for human subjects , into autonomous things . The tragedy of culture lies in this tendency to turn the creative , active subject into an object , to reify the products of human culture and ...
Page 79
Alan Swingewood. 3 Ideology and Cultural Production THE CONCEPT OF PRODUCTION In its general sense the category of production posits a model of cultural communication in which object and subject are reciprocally connected . Writing of ...
Alan Swingewood. 3 Ideology and Cultural Production THE CONCEPT OF PRODUCTION In its general sense the category of production posits a model of cultural communication in which object and subject are reciprocally connected . Writing of ...
Page 113
... cultural institutions that generate openended communication . A theory of tradition thus hinges on a theory of civil society , the evolution of autonomous socio - cultural and political institutions outside the sphere of the State ...
... cultural institutions that generate openended communication . A theory of tradition thus hinges on a theory of civil society , the evolution of autonomous socio - cultural and political institutions outside the sphere of the State ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |