Sociological Poetics and Aesthetic Theory |
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Page 13
... defined its object of study as ' literariness ' and literature as an autonomous ' unfolding dynamic whole ' ( Tynyanov ) . Traditional literary positivism had defined literature largely in referential terms , the literary content ...
... defined its object of study as ' literariness ' and literature as an autonomous ' unfolding dynamic whole ' ( Tynyanov ) . Traditional literary positivism had defined literature largely in referential terms , the literary content ...
Page 62
... defined in terms of a critique of positivism ( seen as the ideology of liberalism in which elements were isolated from the whole and facts separated from values ) as well as seeking the foundations of social transformation and human ...
... defined in terms of a critique of positivism ( seen as the ideology of liberalism in which elements were isolated from the whole and facts separated from values ) as well as seeking the foundations of social transformation and human ...
Page 72
... definition of tradition ; for Goldmann great art and aesthetic value is defined by history itself . Goldmann's sociological aesthetic is essentially a philosophical anthropology . The social nature of aesthetics is defined by ' needs ...
... definition of tradition ; for Goldmann great art and aesthetic value is defined by history itself . Goldmann's sociological aesthetic is essentially a philosophical anthropology . The social nature of aesthetics is defined by ' needs ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |