Sociological Poetics and Aesthetic Theory |
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Page 26
... dialectical approach of Hegel and Marx . Positivism in particular had failed to account for the socio - historical world as a realm of human values and meaning , the creation of humanity involving human action and understanding . To ...
... dialectical approach of Hegel and Marx . Positivism in particular had failed to account for the socio - historical world as a realm of human values and meaning , the creation of humanity involving human action and understanding . To ...
Page 47
... dialectical nature of socio - cultural change . As art cannot be ' ordered ' so it is neither propaganda nor ideology : artistic creativity , Trotsky argued , ' by its very nature ' : lags behind the other modes of expression of a man's ...
... dialectical nature of socio - cultural change . As art cannot be ' ordered ' so it is neither propaganda nor ideology : artistic creativity , Trotsky argued , ' by its very nature ' : lags behind the other modes of expression of a man's ...
Page 63
... dialectical not mechanistic modes of social analysis . Thus the aesthetic dimension becomes the means whereby the contradictions and negations are reproduced as trans- cendent , historically valid critique . Both Marcuse and Adorno ...
... dialectical not mechanistic modes of social analysis . Thus the aesthetic dimension becomes the means whereby the contradictions and negations are reproduced as trans- cendent , historically valid critique . Both Marcuse and Adorno ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |