Sociological Poetics and Aesthetic Theory |
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Page 17
... distinct objects of study , but rather of ' the principles of the construction of literary science . . . an indepen- dent and specific science , one which possesses its own sphere of concrete problems ' . Marxist criticism failed to ...
... distinct objects of study , but rather of ' the principles of the construction of literary science . . . an indepen- dent and specific science , one which possesses its own sphere of concrete problems ' . Marxist criticism failed to ...
Page 23
... distinct linguistic levels such as the lan- guage of generations , social circles , professional jargon etc. The novel seeks to represent the multiplicity of an era's languages , all the social and ideological voices that claim to be ...
... distinct linguistic levels such as the lan- guage of generations , social circles , professional jargon etc. The novel seeks to represent the multiplicity of an era's languages , all the social and ideological voices that claim to be ...
Page 27
... distinct social group . The concept of ' potential consciousness ' ( derived from History and Class Consciousness ) is employed to describe the world view of a particular class as distinct from its ideological , actual consciousness ...
... distinct social group . The concept of ' potential consciousness ' ( derived from History and Class Consciousness ) is employed to describe the world view of a particular class as distinct from its ideological , actual consciousness ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |