Sociological Poetics and Aesthetic Theory |
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Page 7
... emphasis on causal analysis with the hermeneutic concept of understanding . More recently Hans Georg Gadamer in his Truth and Method ( 1960 ) has defined interpretation as a ' fusion of the horizons ' of present experience with those of ...
... emphasis on causal analysis with the hermeneutic concept of understanding . More recently Hans Georg Gadamer in his Truth and Method ( 1960 ) has defined interpretation as a ' fusion of the horizons ' of present experience with those of ...
Page 67
... emphasis on language as an historical process was abandoned in favour of a synchronic analysis of the position and function of elements within a system . The underlying rules of language thus explain how language itself is ...
... emphasis on language as an historical process was abandoned in favour of a synchronic analysis of the position and function of elements within a system . The underlying rules of language thus explain how language itself is ...
Page 143
... emphasis on art as internal poetic structure and ' aesthetic object ' developing only through its modes of reception and actualisation in consciousness . Literature is multifaceted offering a different face to different readers ; it is ...
... emphasis on art as internal poetic structure and ' aesthetic object ' developing only through its modes of reception and actualisation in consciousness . Literature is multifaceted offering a different face to different readers ; it is ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |