Sociological Poetics and Aesthetic Theory |
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Page 64
... especially critical of any attempt to assimilate or reduce art to its context either as a reflection of , or in correspondence with specific structural elements . During the 1930s he was highly critical of Benjamin's study of nineteenth ...
... especially critical of any attempt to assimilate or reduce art to its context either as a reflection of , or in correspondence with specific structural elements . During the 1930s he was highly critical of Benjamin's study of nineteenth ...
Page 67
... especially the theories of the socio- logist Jan Mukarovsky ( 1891–1975 ) . Organised since 1926 the Circle consisted largely of scholars concerned with problems of literary theory , language and aesthetics . The term ' structuralism ...
... especially the theories of the socio- logist Jan Mukarovsky ( 1891–1975 ) . Organised since 1926 the Circle consisted largely of scholars concerned with problems of literary theory , language and aesthetics . The term ' structuralism ...
Page 143
... especially criticised for ' privileging ' the text at the expense of the reader : such ' authority ' must be replaced by the experiences of different readers . A sociological concept of art focusses on its social function and history of ...
... especially criticised for ' privileging ' the text at the expense of the reader : such ' authority ' must be replaced by the experiences of different readers . A sociological concept of art focusses on its social function and history of ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |