Sociological Poetics and Aesthetic Theory |
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Page 113
... forces which automatically lead to socialism . The ' base ' and ' superstructure ' model has the effect of assimilating human practices and wills to an underlying material infrastructure . Gramsci emphasised the contrary , the self ...
... forces which automatically lead to socialism . The ' base ' and ' superstructure ' model has the effect of assimilating human practices and wills to an underlying material infrastructure . Gramsci emphasised the contrary , the self ...
Page 117
... forces but through their own activity shape such move- ments . The opposition individual / society , subject ... forces of culture , tradition and community which enable the uniqueness of individual creativity to flourish . Without the ...
... forces but through their own activity shape such move- ments . The opposition individual / society , subject ... forces of culture , tradition and community which enable the uniqueness of individual creativity to flourish . Without the ...
Page 136
... forces . The subject is produced by discourse with truth resting within discur- sive formations and practices . Instead of concepts such as world view , styles of thought , dominant ideology , Foucault employs dis- cursive formation ...
... forces . The subject is produced by discourse with truth resting within discur- sive formations and practices . Instead of concepts such as world view , styles of thought , dominant ideology , Foucault employs dis- cursive formation ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |