Sociological Poetics and Aesthetic Theory |
From inside the book
Results 1-3 of 27
Page 104
... genres as the Russian Formalists suggested with their argument that genre formed an element in a dialectical not continuously developing system . Shklovsky suggested that genres ' struggled ' and ' broke ' with their pre- decessors ...
... genres as the Russian Formalists suggested with their argument that genre formed an element in a dialectical not continuously developing system . Shklovsky suggested that genres ' struggled ' and ' broke ' with their pre- decessors ...
Page 105
Alan Swingewood. By assuming that genres evolve from other genres , from already prepared materials , the Formalists failed to understand the social ... GENRE AND POPULAR CULTURE The logic of genre is historical Historical Poetics 105.
Alan Swingewood. By assuming that genres evolve from other genres , from already prepared materials , the Formalists failed to understand the social ... GENRE AND POPULAR CULTURE The logic of genre is historical Historical Poetics 105.
Page 106
... genre . All genres contain archaic elements which are thus preserved and renewed by contact with historical and cultural reality through the creation of new works belonging to the generic tradition . Genre preserves past culture in the ...
... genre . All genres contain archaic elements which are thus preserved and renewed by contact with historical and cultural reality through the creation of new works belonging to the generic tradition . Genre preserves past culture in the ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |