Sociological Poetics and Aesthetic Theory |
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Page 24
... ideas . In Dostoevsky the ' idea ' is never lodged within the isolated consciousness but is inter - individual and inter - subjective existing between conscious- nesses that meet dialogically : ' Like the word , the idea wants to be ...
... ideas . In Dostoevsky the ' idea ' is never lodged within the isolated consciousness but is inter - individual and inter - subjective existing between conscious- nesses that meet dialogically : ' Like the word , the idea wants to be ...
Page 36
... ideas were assimilated by later philosophers such as Schiller ( in his Letters on the Aesthetic Education of Man , 1795 ) ... Idea ( an obscure concept relating to the necessity for everything that is implicit and undeveloped to unfold its ...
... ideas were assimilated by later philosophers such as Schiller ( in his Letters on the Aesthetic Education of Man , 1795 ) ... Idea ( an obscure concept relating to the necessity for everything that is implicit and undeveloped to unfold its ...
Page 62
... ideas tend to be excluded ' ( Adorno and Horkheimer , 1973 ) . In one of his early essays , ' Art and Mass Culture ... idea of harmony negatively by embodying the contradictions pure and uncompromised ' ( Adorno , 1967 , p.32 ) . The ...
... ideas tend to be excluded ' ( Adorno and Horkheimer , 1973 ) . In one of his early essays , ' Art and Mass Culture ... idea of harmony negatively by embodying the contradictions pure and uncompromised ' ( Adorno , 1967 , p.32 ) . The ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |