Sociological Poetics and Aesthetic Theory |
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Page 13
... material ' with the latter roughly equivalent to content . In Shklovsky's early writings , for example , material was defined in relation to specific artistic devices such as digression , parallelism ( narrative constructed around ...
... material ' with the latter roughly equivalent to content . In Shklovsky's early writings , for example , material was defined in relation to specific artistic devices such as digression , parallelism ( narrative constructed around ...
Page 21
... material onto the surface of the work . The surface helps him to see , understand , and select his material . ( Medvedev and Bakhtin , 1978 , p.92 ) The organic nature of genre , its reality as a form and the reality accessible to it ...
... material onto the surface of the work . The surface helps him to see , understand , and select his material . ( Medvedev and Bakhtin , 1978 , p.92 ) The organic nature of genre , its reality as a form and the reality accessible to it ...
Page 37
Alan Swingewood. material form ) . In the modern era Romanticism , with its concern for feelings and intuition , effectively dissolves and undermines aesthetic form through retiring into its own subjectivity and beyond objective , material ...
Alan Swingewood. material form ) . In the modern era Romanticism , with its concern for feelings and intuition , effectively dissolves and undermines aesthetic form through retiring into its own subjectivity and beyond objective , material ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |