Sociological Poetics and Aesthetic Theory |
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Page 80
... novels into distinct chapters of equal length in which dramatic tension is ... modern capi- talism and evolution of a ' new human type ' . Production ... modern art , notably the essay , ' The Work of Art in the Age 80 Elements of ...
... novels into distinct chapters of equal length in which dramatic tension is ... modern capi- talism and evolution of a ' new human type ' . Production ... modern art , notably the essay , ' The Work of Art in the Age 80 Elements of ...
Page 128
... modernism , however , is not total for Kafka represents a partial exception to his general condemnation of the avant - garde . Lukács sees Kafka as a transitional figure , a writer on the threshold of the modernist ... novels are grounded ...
... modernism , however , is not total for Kafka represents a partial exception to his general condemnation of the avant - garde . Lukács sees Kafka as a transitional figure , a writer on the threshold of the modernist ... novels are grounded ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |