Sociological Poetics and Aesthetic Theory |
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Page 6
... nature , defined by an immanent desire for order and form , and an essentialist , ahistorical argument which identifies literature with the ' classical and Chris- tian heritage ' of Western society ( Frye , 1957 , pp.104-6 ) . Thus ...
... nature , defined by an immanent desire for order and form , and an essentialist , ahistorical argument which identifies literature with the ' classical and Chris- tian heritage ' of Western society ( Frye , 1957 , pp.104-6 ) . Thus ...
Page 22
... nature of the word itself embodies a multiplicity of meanings : In essence , meaning belongs to a word in its position between speakers ; that is , meaning is realised only in the process of active , responsive understanding . Meaning ...
... nature of the word itself embodies a multiplicity of meanings : In essence , meaning belongs to a word in its position between speakers ; that is , meaning is realised only in the process of active , responsive understanding . Meaning ...
Page 41
... nature and a methodology corresponding to that of the natural sciences . Engels extended Marx's materialist outlook from the social and historical sphere to the realm of nature postulating the concept of an objective world derived from ...
... nature and a methodology corresponding to that of the natural sciences . Engels extended Marx's materialist outlook from the social and historical sphere to the realm of nature postulating the concept of an objective world derived from ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |