Sociological Poetics and Aesthetic Theory |
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Page 24
... never - ending , internally unresolved dialogues among characters ( seen as embodied points of view ) and between the author himself and his characters ; the characters ' discourse is never entirely subsumed and remains free and open ...
... never - ending , internally unresolved dialogues among characters ( seen as embodied points of view ) and between the author himself and his characters ; the characters ' discourse is never entirely subsumed and remains free and open ...
Page 103
... never the criminal ; the murderer is never a professional criminal ; sexual and political ambiguity is mostly ignored ) reflecting , in its rural setting , countryhouse atmosphere and amateur gentleman detective an immobile society ...
... never the criminal ; the murderer is never a professional criminal ; sexual and political ambiguity is mostly ignored ) reflecting , in its rural setting , countryhouse atmosphere and amateur gentleman detective an immobile society ...
Page 131
... never finalised either by language or class . The continuity between realism and modernism lies pre- cisely within these two discourses . MODERNISM , THE AVANT - GARDE AND EVERYDAY LIFE Modern literary theory - structuralism , post ...
... never finalised either by language or class . The continuity between realism and modernism lies pre- cisely within these two discourses . MODERNISM , THE AVANT - GARDE AND EVERYDAY LIFE Modern literary theory - structuralism , post ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |