Sociological Poetics and Aesthetic Theory |
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Page 30
... offered no means of validating the specific choice of extracts and assessing their cultural and literary significance other than trusting the critic's own judgement . In this sense Doubrovsky's criticism of Goldmann , that his method ...
... offered no means of validating the specific choice of extracts and assessing their cultural and literary significance other than trusting the critic's own judgement . In this sense Doubrovsky's criticism of Goldmann , that his method ...
Page 112
... offered as the foundation of critical judgement . The complex problem of how literature of past cultures can survive as an active and meaningful structure in industrial societies dominated by mass cultural norms is shuffled aside in ...
... offered as the foundation of critical judgement . The complex problem of how literature of past cultures can survive as an active and meaningful structure in industrial societies dominated by mass cultural norms is shuffled aside in ...
Page 123
... offered a periodisiation of styles nor reduced style to economic structure or material interests and ideology . Like Bakhtin he advances a history of styles within a framework of cultural history that preserves continuity , autonomy and ...
... offered a periodisiation of styles nor reduced style to economic structure or material interests and ideology . Like Bakhtin he advances a history of styles within a framework of cultural history that preserves continuity , autonomy and ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |