Sociological Poetics and Aesthetic Theory |
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Page 39
... organisation do not necessarily generate ' progressive ' aesthetic standards ; no strict cor- respondence subsists between base and superstructure : As regards art , it is well known that some of its peaks by no means correspond to the ...
... organisation do not necessarily generate ' progressive ' aesthetic standards ; no strict cor- respondence subsists between base and superstructure : As regards art , it is well known that some of its peaks by no means correspond to the ...
Page 61
... organised capitalism was effectively a new form of social organisation based on the rationalisation of all spheres of collective life and the domination of a powerful State apparatus . The increasing role of technology in planning and ...
... organised capitalism was effectively a new form of social organisation based on the rationalisation of all spheres of collective life and the domination of a powerful State apparatus . The increasing role of technology in planning and ...
Page 127
... organisation . But Lukács assumes a single narrative discourse within a unified coherent structure . This simplifies narrative as a style : Joyce's Ullysses , for example , cannot be reduced to a single ideological perspective ( as ...
... organisation . But Lukács assumes a single narrative discourse within a unified coherent structure . This simplifies narrative as a style : Joyce's Ullysses , for example , cannot be reduced to a single ideological perspective ( as ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |