Sociological Poetics and Aesthetic Theory |
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Page 29
... plays - Alexandre and Le Thébaide - distorted the meaning of the later plays with which they have a close affinity ( Doubrovsky , 1977 ) . Doubrovsky expresses here a common misunderstanding of Gold- mann's method : the fact that there ...
... plays - Alexandre and Le Thébaide - distorted the meaning of the later plays with which they have a close affinity ( Doubrovsky , 1977 ) . Doubrovsky expresses here a common misunderstanding of Gold- mann's method : the fact that there ...
Page 30
... plays from each other , his broadly thematic approach assuming a unified , coherent body of work from which elements can be unproblematic- ally extracted as evidence , or illustration , of general social , psycho- logical and historical ...
... plays from each other , his broadly thematic approach assuming a unified , coherent body of work from which elements can be unproblematic- ally extracted as evidence , or illustration , of general social , psycho- logical and historical ...
Page 87
... plays such as Ghosts and The Dolls House , created a profound sense of unease ( of alienation ) within the middle - class theatre - going public , shocking his audience by throwing into doubt many of their deepest beliefs and forcing ...
... plays such as Ghosts and The Dolls House , created a profound sense of unease ( of alienation ) within the middle - class theatre - going public , shocking his audience by throwing into doubt many of their deepest beliefs and forcing ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |