Sociological Poetics and Aesthetic Theory |
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Page 85
... political , philosophical and practical : political through the collec- tivist principles of epic theatre which involve the masses as active , participating agents ; philosophical through an activist epistemo- logy which awakens ...
... political , philosophical and practical : political through the collec- tivist principles of epic theatre which involve the masses as active , participating agents ; philosophical through an activist epistemo- logy which awakens ...
Page 114
Alan Swingewood. through its acceptance of the legitimacy of the social and political order , a real practice . Hegemony is thus a synthesis of political , intellectual and cul- tural leadership ; it is never entirely consensual but an ...
Alan Swingewood. through its acceptance of the legitimacy of the social and political order , a real practice . Hegemony is thus a synthesis of political , intellectual and cul- tural leadership ; it is never entirely consensual but an ...
Page 151
... Political criticism replaces political prac- tice . It was Gramsci who first advocated aesthetic criticism as political criticism as part of the struggle for a new culture , positive , social and historical . Modern cultural theorists ...
... Political criticism replaces political prac- tice . It was Gramsci who first advocated aesthetic criticism as political criticism as part of the struggle for a new culture , positive , social and historical . Modern cultural theorists ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |