Sociological Poetics and Aesthetic Theory |
From inside the book
Results 1-3 of 25
Page 16
... principle of literariness was re - asserted . In his ' Literary Environment ' ( 1929 ) Eichenbaum responded to increasing Marxist criticism by raising the problem of ' the interrelationship between the facts of literary evolution and ...
... principle of literariness was re - asserted . In his ' Literary Environment ' ( 1929 ) Eichenbaum responded to increasing Marxist criticism by raising the problem of ' the interrelationship between the facts of literary evolution and ...
Page 17
... principles of the construction of literary science . . . an indepen- dent and specific science , one which possesses its own sphere of concrete problems ' . Marxist criticism failed to grasp the essential principle of literariness that ...
... principles of the construction of literary science . . . an indepen- dent and specific science , one which possesses its own sphere of concrete problems ' . Marxist criticism failed to grasp the essential principle of literariness that ...
Page 93
... principle . Although traditional Mozart for example , had included elements which could return the spectator to everyday life by shattering the illusion of stage perfor- mance , the basic tendency was towards entertainment and passi ...
... principle . Although traditional Mozart for example , had included elements which could return the spectator to everyday life by shattering the illusion of stage perfor- mance , the basic tendency was towards entertainment and passi ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |