Sociological Poetics and Aesthetic Theory |
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Page 63
... produced art . Adorno ( whose work increasingly departed from the fundamental concepts of critical theory as expounded by Horkheimer to become abstractly philosophical and sceptical ) analysed ' successful ' art as virtually autonomous ...
... produced art . Adorno ( whose work increasingly departed from the fundamental concepts of critical theory as expounded by Horkheimer to become abstractly philosophical and sceptical ) analysed ' successful ' art as virtually autonomous ...
Page 80
... produced magazines which serialised new novels ( Dickens , Balzac ) . Both ' popular ' and ' serious ' writers were producers in this sense , their ' creativity ' yoked to the dictates of the market - place and mode of production ...
... produced magazines which serialised new novels ( Dickens , Balzac ) . Both ' popular ' and ' serious ' writers were producers in this sense , their ' creativity ' yoked to the dictates of the market - place and mode of production ...
Page 95
... produced under determinate conditions . ( Macherey , 1979 , p.78 ) Macherey's concept of decentred text follows from ... produces in order to conceal ideo- logical contradictions . Texts , therefore , do not reflect historical ...
... produced under determinate conditions . ( Macherey , 1979 , p.78 ) Macherey's concept of decentred text follows from ... produces in order to conceal ideo- logical contradictions . Texts , therefore , do not reflect historical ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |