Sociological Poetics and Aesthetic Theory |
From inside the book
Results 1-3 of 5
Page 16
... reason to believe that all its constituent elements can be genetically conditioned ' . The fundamental role continues to belong to literariness , an immanent specific element that is not generated by the genesis of a text : a ...
... reason to believe that all its constituent elements can be genetically conditioned ' . The fundamental role continues to belong to literariness , an immanent specific element that is not generated by the genesis of a text : a ...
Page 24
... reason these utterances may serve as excellent models of the most varied forms for transmitting and framing another's discourse . In the second place , the works . . . taken as utterances of their author , are the same never - ending ...
... reason these utterances may serve as excellent models of the most varied forms for transmitting and framing another's discourse . In the second place , the works . . . taken as utterances of their author , are the same never - ending ...
Page 28
... reason that a writer's work cannot be comprehended by remaining on the level of the writing itself . Cultural creation is the expression of the non - conscious values and aspirations of a collective subject – the individual author may ...
... reason that a writer's work cannot be comprehended by remaining on the level of the writing itself . Cultural creation is the expression of the non - conscious values and aspirations of a collective subject – the individual author may ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |