Sociological Poetics and Aesthetic Theory |
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Page 25
... seems a crucial difference between Bakhtin's concept of literature as a system structured in a living , historical discourse , unfinalised , open - ended , dialogically de - centred , and Goldmann's sociology of literature with its ...
... seems a crucial difference between Bakhtin's concept of literature as a system structured in a living , historical discourse , unfinalised , open - ended , dialogically de - centred , and Goldmann's sociology of literature with its ...
Page 74
... seems no bridge between Goldmann's sociologised Kantian aesthetics ( art as unity , as a closed discourse ) and Mukarovsky's formulation of art as imbricated within the textures of everyday life , aesthetics situated within the realm of ...
... seems no bridge between Goldmann's sociologised Kantian aesthetics ( art as unity , as a closed discourse ) and Mukarovsky's formulation of art as imbricated within the textures of everyday life , aesthetics situated within the realm of ...
Page 92
... seem to me typified in those of Frankenstein , that monster of many human qualities , ungifted with a soul , a know- ledge of the difference between good and evil ' . The melodramatic second part of the novel is at odds with the first ...
... seem to me typified in those of Frankenstein , that monster of many human qualities , ungifted with a soul , a know- ledge of the difference between good and evil ' . The melodramatic second part of the novel is at odds with the first ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |