Sociological Poetics and Aesthetic Theory |
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Page 77
... social fact ' and ' autonomous artefact ' seeking its independence from society through resistance , criticism and opposition . For Adorno , the social character of art lies in its immanent aesthetic structure , a structure which ...
... social fact ' and ' autonomous artefact ' seeking its independence from society through resistance , criticism and opposition . For Adorno , the social character of art lies in its immanent aesthetic structure , a structure which ...
Page 94
... social formations - capitalism , socialism - were the product of human action , Althusser demanded that scientific analysis begin from the economic , political - legal and ideological structures that constituted the totality of a social ...
... social formations - capitalism , socialism - were the product of human action , Althusser demanded that scientific analysis begin from the economic , political - legal and ideological structures that constituted the totality of a social ...
Page 122
... social groups , by reconstructing their material existence it becomes possible to ' penetrate ' both the social and aesthetic meaning of art . Antal's model thus assumes style as the expression of social conditions : ' However much ...
... social groups , by reconstructing their material existence it becomes possible to ' penetrate ' both the social and aesthetic meaning of art . Antal's model thus assumes style as the expression of social conditions : ' However much ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |