Sociological Poetics and Aesthetic Theory |
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Page 60
... social structure , the late arrival of Russian capitalism with the attendant social values of a weak , dependent ... experience of a progressively unfolding social and human world . Art functions aesthetically to create an enriched self ...
... social structure , the late arrival of Russian capitalism with the attendant social values of a weak , dependent ... experience of a progressively unfolding social and human world . Art functions aesthetically to create an enriched self ...
Page 122
... social groups , by reconstructing their material existence it becomes possible to ' penetrate ' both the social and ... experience ( as a member of different social strata ) and material . Thus although a sociology of styles is a ...
... social groups , by reconstructing their material existence it becomes possible to ' penetrate ' both the social and ... experience ( as a member of different social strata ) and material . Thus although a sociology of styles is a ...
Page 143
... experiences of different readers . A sociological concept of art focusses on its social function and history of its reception not on its internal perfection , unity , the correspondence of form and content . Jauss argues that art's ...
... experiences of different readers . A sociological concept of art focusses on its social function and history of its reception not on its internal perfection , unity , the correspondence of form and content . Jauss argues that art's ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |