Sociological Poetics and Aesthetic Theory |
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Page 6
... understanding , the interpretation of reality by human subjects which saturates everyday life and without which society itself would be impossible . Because positivism treated human sub- jects externally , as objective datums , it ...
... understanding , the interpretation of reality by human subjects which saturates everyday life and without which society itself would be impossible . Because positivism treated human sub- jects externally , as objective datums , it ...
Page 36
... understanding , ' finality without purpose ' . Yet although aesthetic judgement was subjective it was not arbi- trary . Kant attempted to develop aesthetic principles derived from the intrinsic nature of the art - object itself : the ...
... understanding , ' finality without purpose ' . Yet although aesthetic judgement was subjective it was not arbi- trary . Kant attempted to develop aesthetic principles derived from the intrinsic nature of the art - object itself : the ...
Page 144
... understanding ' which grasps texts episodically not in their full complexity . For Jauss , the aesthetic activity of the reader involves both understanding and interpretation , a process illuminating the verbal and poetic con- struction ...
... understanding ' which grasps texts episodically not in their full complexity . For Jauss , the aesthetic activity of the reader involves both understanding and interpretation , a process illuminating the verbal and poetic con- struction ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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Common terms and phrases
active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |