Sociological Poetics and Aesthetic Theory |
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Page 52
... unity in which the form embraces its constituent , interrelated parts and holds them together . In his aesthetic theory Simmel abandons the nominalism of his socio- logical theory : the aesthetic object is one which responds sensi ...
... unity in which the form embraces its constituent , interrelated parts and holds them together . In his aesthetic theory Simmel abandons the nominalism of his socio- logical theory : the aesthetic object is one which responds sensi ...
Page 73
... unity is thus linked with function and praxis . How useful are Goldmann's concepts for the analysis of aesthetic value ? Unlike positivist sociology Goldmann is not concerned with analysing art - works for their sociology , for their ...
... unity is thus linked with function and praxis . How useful are Goldmann's concepts for the analysis of aesthetic value ? Unlike positivist sociology Goldmann is not concerned with analysing art - works for their sociology , for their ...
Page 74
... unity has its source in social life , within socially privileged groups , history and philosophy . Yet art is not ... unity through multiplicity ? Goldmann's aesthetic theory is at its weakest when faced with the task of analysing open ...
... unity has its source in social life , within socially privileged groups , history and philosophy . Yet art is not ... unity through multiplicity ? Goldmann's aesthetic theory is at its weakest when faced with the task of analysing open ...
Contents
Sociological Aesthetics | 35 |
Critical Theory and Aesthetic Value | 60 |
from Mukarovsky to Goldmann | 67 |
Copyright | |
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis Anatomy of Criticism argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements epic epic theatre everyday expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony hermeneutics historical poetics human ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writing
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |