Science-fiction Studies, Volume 24, Part 3SFS Publications., 1997 - Science fiction |
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Page 377
... production , and economic survival figure prominently . Although she offers no explicit comment upon it , Moore's first move here functions to remind us that her name was Catherine , a name which is explicitly gendered in a way that her ...
... production , and economic survival figure prominently . Although she offers no explicit comment upon it , Moore's first move here functions to remind us that her name was Catherine , a name which is explicitly gendered in a way that her ...
Page 417
... production of reality , exists now in a state of pervasive separation , cut off from the producers of the surrounding media culture by a unilateral communication and detached from the mass of fellow citizen - viewers . The spectacle ...
... production of reality , exists now in a state of pervasive separation , cut off from the producers of the surrounding media culture by a unilateral communication and detached from the mass of fellow citizen - viewers . The spectacle ...
Page 435
... production ectoplasmique matérialisée par un medium endormi à partir d'un image onirique hantant son cerveau . ( 54 ) [ It's not about a dream , but about the production of ectoplasmic objects from the dream images haunting the brain of ...
... production ectoplasmique matérialisée par un medium endormi à partir d'un image onirique hantant son cerveau . ( 54 ) [ It's not about a dream , but about the production of ectoplasmic objects from the dream images haunting the brain of ...
Contents
111897 | 369 |
The First Main Phase 18711900 | 387 |
Jill Galvan Entering the Posthuman Collective in Philip K Dicks | 413 |
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