The Framework of Fiction: Socio-cultural Approaches to the Novel |
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Page 34
... Engels ( 1820–95 ) . By the 1890s Engels was suggesting in correspondence that all the so - called superstructural elements could potentially have influence on the course of ' historical struggles ' ; he also argued that the relation ...
... Engels ( 1820–95 ) . By the 1890s Engels was suggesting in correspondence that all the so - called superstructural elements could potentially have influence on the course of ' historical struggles ' ; he also argued that the relation ...
Page 35
... Engels ' ambivalence and that of later Marxist critics in the face of their realisation that literary appreciation does not necessarily value the same features or even the same novels as the concern to drive forward the cause of ...
... Engels ' ambivalence and that of later Marxist critics in the face of their realisation that literary appreciation does not necessarily value the same features or even the same novels as the concern to drive forward the cause of ...
Page 36
... Engels tried to associate him . ( Peter Demetz , who discusses the whole issue in more detail in his book Marx , Engels and the Poets ( 1967 ) , comments that Balzac's view can be summarised : ' Good and evil in this world are not ...
... Engels tried to associate him . ( Peter Demetz , who discusses the whole issue in more detail in his book Marx , Engels and the Poets ( 1967 ) , comments that Balzac's view can be summarised : ' Good and evil in this world are not ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic Altick appears artistic attempt Barton Bond novels bourgeois chapter characters circulating libraries claims Clarissa contemporary conventional Crusoe culture D. H. Lawrence despite Dickens Dickens's Eagleton economic edition Engels English Literature example expectations F. R. Leavis Gaskell genre Goldmann Hardy Hardy's hero ideology individual influence instalment Jane Austen John Lawrence's Leavis literary criticism Lukács marriage Marxist Mary Barton middle middle-class Mudie Mudie's nineteenth century novelists Oliver Twist origins paperback Penguin edn period political popular fiction pressures production publishers Puritan Raymond Williams readers readership reading public realism Reception Theory reflect regarded relation relationship reprints Richard Altick Richardson role Scott serial serialised social context socio-cultural approach Sociology of Literature Sons and Lovers structure Suvin Terry Eagleton Tess theory Thomas Hardy three-decker three-volume Thunderball Tillotson Tony Bennett traditional values Victorian Waverley Williams women working-class world vision writers